As one of the main points of import in Western Canada, Vancouver’s port receives most, if not all art materials used in the lower main land by shipping means. The realization that results is the true cost of making a print from externalized materials at the rates needed to justify the time.

This work intends to evaluate the true cost of an art object made in Vancouver, Canada, with an emphasis on the consideration of new cycles that could be achieved if the alternatives where present.

Silkscreen on paper, pine

Collaborators
Jordan Bent
Tanner Klassen